 Исполнитель: Danilo PerezНазвание альбома: Motherland Год выпуска: 2002 Формат файлов: mp3,320 kb Размер архива: 129 mb Скачать с: dfiles
02. Suite For The Americas - Part 1
03. Elegant Dance
04. Panafrica
05. Baile
06. Song Of The Land
07. Suite For The Americas - Part 2
08. Prayer
09. Overture
10. Rio To Panama
11. Panama Libre
12. Panama 2000
13. And Then ...
Danilo Perez — piano, Rhodes
Carlos Henriauez, John Patitucci — ac.bass
Antonio Sanchez, Brian Blade — drums
Regina Carter — violin
Luciana Souza, Claudia Acuna — vocal
Richard Bona — vocal, el.bass
Chris Potter — sax (a,s)
Kurt Rosenwinkel — el.guitar
Aquiles Baez — ac.guitar
Diego Urcola — trumpet
Luisito Quintero, Louis Bauzo, Greg Askew — percussion
Recorded on February 28-March 3, 2000 at Avatar Studios, New York City
Mixed at Schnee Studios, North Hollywood
Mastered on April 26, 2000 at The Mastering Lab, Hollywood
2002 Verve Records 314 543 904-2 CD, Album
When most people hear the term Latin jazz, they think of a mixture of bop and Afro-Cuban rhythms — bop mixed with son, mambo, cha-cha, guaguanco, danzon, and other Afro-Cuban styles that have been described as salsa. But Latin-flavored jazz doesn’t have to be Afro-Cuban jazz; in fact, jazz is compatible with numerous Latin rhythms that didn’t originate in Cuba. Technically, Danilo Perez’s Motherland is Latin jazz because it fuses jazz with Latin elements. But it isn’t Afro-Cuban jazz, and it isn’t the type of Cubop that people associate with Machito, Tito Puente, Mongo Santamaria, Cal Tjader, and Poncho Sanchez. Instead, this introspective, chance-taking CD finds Panamanian pianist Danilo Perez combining post-bop with a variety of Latin rhythms, everything from Panamanian tamborito to the samba and baiao of Brazil. Perez also uses Afro-Cuban rhythms at times, but it’s important to stress that salsa is only one of the many tools in his arsenal. There is no reason why Motherland cannot be described as Latin jazz, after all, it is jazz with a strong Latin flavor. But unlike other releases by Spanish-speaking jazz artists, this excellent CD demonstrates that Latin jazz isn’t necessarily Afro-Cuban jazz.
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