Исполнитель: Various ArtistsНазвание альбома: The Avant-Garde Год выпуска: 1986 Формат файлов: Mp3, 320 Размер архива: 96,90 Mb Скачать с: ifolder, depositfiles 1. Black Mystery Has Been Revealed - Rahsaan Roland Kirk 2. Wednesday Night Prayer Meeting - Charles Mingus 3. Eventually - Ornette Coleman 4. Lonely Woman - Ornette Coleman 5. Cherryco - Don Cherry, John Coltrane 6. Countdown - John Coltrane 7. Inflated Tear - Rahsaan Roland Kirk 8. Nonaah - The Art Ensemble of Chicago
Credits: Muhal Richard Abrams - Piano, Ed Blackwell - Drums, Lester Bowie - Flugelhorn, Trumpet, Ron Burton- Piano, Paul Chambers - Bass, Don Cherry - Performer, Trumpet, Ornette Coleman - Performer, Sax (Alto), John Coltrane - Performer, Sax (Tenor), Ted Curson - Trumpet, Eric Dolphy - Sax (Alto), Booker Ervin - Sax (Tenor), Malachi Favors - Bass, Tommy Flanagan - Piano, Charlie Haden - Bass, Billy Higgins - Drums, Guitar, Jimmy Hopps- Drums, Joseph Jarman - Flute, Sax (Alto), Sax (Tenor), Rahsaan Roland Kirk - Clarinet, Flexatones, Manzello, Narrator, Organ, Percussion, Performer, String Arrangements, Stritch, Charles Mingus - Bass, Performer, Piano, Roscoe Mitchell - Piccolo, Sax (Alto), Sax (Baritone), Sax (Tenor), Steve Novosel - Bass, Dannie Richmond - Drums, Art Taylor - Drums
Part of a 12-volume set of LPs that covered Atlantic’s history of jazz slotted into neat little genre labels, Atlantic Jazz: The Avant Garde is not an entirely satisfying disc. Partially this is because most of the artists represented here—including Ornette Coleman, Charles Mingus, and Don Cherry—did their most exploratory and adventurous work for other labels. Atlantic Records was no ESP-Disk, and even their most out-there records were more rooted in convention than most. That said, it’s hard to fault the material included here, like a 12-minute take on Charles Mingus’ “Wednesday Night Prayer Meeting” recorded at the 1960 Antibes Jazz Festival and two early Ornette Coleman tracks. There’s not enough Rahsaan Roland Kirk; although the strident “Black Mystery Has Been Revealed” and the lovely “The Inflated Tear” are two of his most famous Atlantic works, his work for the label is intriguing enough to warrant a further exploration. Most useful for the absolute beginner in modern jazz, Atlantic Jazz: The Avant Garde is OK as an introduction and fine as a 45-minute compilation, but it’s hardly definitive. Review by Stewart Mason, allmusic.com
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