 Исполнитель: Ron CarterНазвание альбома: Dear Miles Год выпуска: 2007 Формат файлов: MP3@320K/s Размер архива: 124,3 MB Скачать с: depositfiles
2. Seven Steps To Heaven
3. My Funny Valentine
4. Bags' Groove
5. Someday My Prince Will Come
6. Cut And Paste
7. Stella By Starlight
8. As Time Goes By
9. Bye Bye Blackbird
10. 595
Ron Carter: bass; Stephen Scott: piano; Peyton Crossley: drums; Roger Squitero: percussion.
Recorded & mixed at Avatar Studios, NYC, February 18, 2006
The fact that the late iconic trumpeter Miles Davis still generates controversy is a real indicator of his earth-shaking impact on the genre. What's your favorite Miles debate: Acoustic Miles, or Electric Miles? Kind of Blue (Legacy, 1959), or Bitches Brew Legacy, 1969)? Bill Evans, or Bill Evans? Tutu: An affront to all that's good and true, or just a really bad career move?
As one-fifth of the "second great Miles Davis Quintet, bassist Ron Carter had a ringside seat for Miles' transition from jazz icon to jazz-fusion hero (or heretic, depending on your world view). Although he's taken part in Four Generations of Miles and VSOP, Carter has kept his own recording efforts away from the burgeoning Miles-tribute-disc market, out of respect for his former leader. Then again, it could be a case of "Take your time, do it right. Carter has definitely done it right on Dear Miles, the bassist's second great release of 2007.
While recent tributes by saxophonist Dave Leibman and trombonist Conrad Herwig operate on a macro scale, Carter goes the other way, using his working quartet to forge an impeccably nuanced set that links several of Miles' early phases with the 1960s unit Carter anchored. When you break it down, Carter's quartet is a four-piece rhythm section, and that makes for a satisfyingly aggressive final product, even in Dear Miles' quietest moments. Dear Miles is a fantastic set of bold interpretations; it is respectful to its subject while never losing its need to be unique. I'd say that sounds like Miles to a T. ~J. Hunter
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