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Jack Teagarden - 1930 Studio Sessions (2006)

Исполнитель: Jack Teagarden
Название альбома: 1930 Studio Sessions
Год выпуска: 2006
Формат файлов: Mp3, 320
Размер архива: 145 Mb
Скачать с: ifolder, depositfiles

Singing trombonist Jack Teagarden came up in the jazz and dance bands of his native Texas and the surrounding territories. By the end of the '20s he was making noise with the Eddie Condon mob in New York City, where the South-and-Midwesterners quickly learned that authentic, New Orleans-Chicago-styled jazz could be performed in public if you didn't need to eat more than one meal per day. The paying gigs were with society dance bands, and Teagarden made ends meet during the first half of 1930 by serving in the brass sections of orchestras under the direction of Ben Selvin and Sam Lanin, as well as the toothpowder and toothpaste-affiliated Ipana Troubadours. This type of economic problem solving would lead to his being contractually tethered to the Paul Whiteman Orchestra during the years 1933-1939. In 2006, the Jazz Oracle label released a thrilling 25-track collection of recordings that document Teagarden's professional activity during the first grueling months of the Great Depression. Unlike his collaborations with Condon, these records do not necessarily spotlight Teagarden as soloist or vocalist. 1930 was a banner year in the golden age of squeaky clean crooners and pop vocalists. The music is deliciously dated and heavily arranged, with an innocent charm that is peculiarly reassuring. Vocals are perpetrated by Smith Ballew, Irving Kaufman, Paul Small, and Artie Dunn, who pipes up during ""Accordion Joe"," a novelty featuring squeezebox specialist Cornell Smelser as well as reedmen Adrian Rollini and Jimmy Dorsey, and guitarist Dick McDonough. This seems to have been Smelser's theme song, and he was lucky enough to record it twice again a couple of months later with Duke Ellington's Orchestra. Other memorable jazz players who are heard on this fascinating collection are trumpeter Charlie Spivak, clarinetist Benny Goodman, tenor saxophonist Larry Binyon (who had recorded with Fats Waller & His Buddies a few months earlier); pianists Rube Bloom and Arthur Schutt, and guitarist Carl Kress, here confined to a stately banjo. This disc, which contains several duplicate titles as vocal and instrumental takes, is a modest cousin to the first few volumes in Mosaic's massive box set, The Complete Brunswick, Parlophone & Vocalion Bunny Berigan Sessions. Teagarden's adventures as a section player are easily digestible and would go well with cheddar, chocolate, coffee, cookies, and milk.
arwulf arwulf, AMG

01. Good For You, Bad For Me
03. Thank Your Father (Parlaphone)
04. If I Were King (Vocal)
05. If I Were King (Non Vocal)
06. Oh! How I Adore You (Vocal)
07. Oh! How I Adore You (Non Vocal)
08. Accordian Joe
09. Happy Days Are Here Again
10. There's Danger In Your Eyes Cherie
11. When I'm Looking At You
12. Sing (Vocal)
13. Sing (Non Vocal)
14. Prmises (Vocal)
15. Promises (Vocal)
16. Promises (Non Vocal)
17. Seems To Me
18. Rollin Down the River (Vocal)
19. Rollin Down the River (Non Vocal)
20. I Wonder How It Feels
21. Little White Lies
22. Under the Moon, It's You
23. Here Comes the Sun
24. Swingin In A Hammock
25. Hulabaloo

Personnel:
Jack Teagarden - Trombone, Vocals
Larry Binyon - Sax (Tenor)
Rube Bloom - Piano
Arnold Brillhardt - Clarinet, Sax (Alto)
Irving Brodsky - Piano
Cornell & His Orchestra - Performer
Jimmy Dorsey - Clarinet, Sax (Alto)
Joe Dubin - Sax (Tenor)
Al Duffy - Violin
Artie Dunn - Vocals
Fred Farrar - Trumpet
Benny Goodman - Clarinet, Sax (Alto)
Fletcher Hereford - Sax (Alto)
Tex Hurst - String Bass
Irving Kaufman - Vocals
Stan King - Drums, Keyboards
Manny Klein - Trumpet
Carl Kress - Banjo
Joe Lindwurm - Trumpet
Louis Martin - Sax (Alto)
Leo McConville - Trumpet
Dick McDonough - Guitar
Norman McPherson - Bowed Bass
Adrian Rollini - Sax (Bass)
Arthur Schutt - Celeste, Piano
Paul Small - Vocals
Charlie Spivak - Trumpet
Hank Stern - Bowed Bass
Smith Ballew - Vocals

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24 февраля 2012, osen

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(25.02.12 - 11:55) - Boris-S:

Помимо всего прочего этот альбом представляет интерес как памятник тех лет. Музыкальный памятник. Не знаю кого как , а меня изумляет то что записи тех лет просто сохранились. Спасибо, уважаемый Александр.

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