Исполнитель: Hafez Modirzadeh Название альбома: Post-Chromodal Out! Год выпуска: 2012 Формат файлов: mp3 320kb/s cbr Размер архива: 170mb Скачать с: depositfiles The post-chromodal concepts were first put into practice by Modirzadeh with Iraqi-American trumpeter Amir ElSaffar in their co-led project Radif Suite (Pi 32), which the New York Times called “scintillating… a radical cultural exchange” and “thick with ideas and inspiration” by the Los Angeles Times. Here, as on Radif, Modirzadeh and ElSaffar utilize extended technique to achieve intervals between major and minor. Through the use of alternate fingerings and changes in embouchure, they are able to subtly manipulate pitch, allowing them to break free of the boundaries of equal temperament into new tonal orientation. Post-Chromodal Out!, however, takes the concept one step further through the introduction of a piano re-tuned to variations on Persian temperaments devised by Modirzadeh. Set with three-quarter tones (not quarter tones, but large half-steps, or small whole-steps) integrated with intervals common to equal temperament, the instrument requires the pianist to take a completely new approach. Leaping headlong into this music is pianist Vijay Iyer, who takes on the re-tuned instrument with an improvisatory mastery befitting his own reputation for combining jazz with the music of different cultures. Modirzadeh had this to say about Iyer: “I have approached many pianists over the years, but Vijay was the only one to physically sit down at a beat-up old upright I had retuned, to trust in the possibilities, and make it happen. His confidence to move through vulnerable realms demonstrates great mental endurance, collaborative spirit, patience and love. He applied enormous will and understanding, taking on what is at stake with uncompromising determination.” The band also includes Ken Filiano on bass and royal hartigan on drums, both of whom have worked with Modirzadeh for over 25 years and each a seasoned explorer of cross-cultural musical possibilities in his own right. Also on board are guest artists Danongan Kalanduyan on the Filipino kulintang, Faraz Minooei on santur, and Timothy Volpicella on electric guitar, who help to further establish the meta-cultural nature of this music. (c)
Label - Pi Recording
Hafez Modirzadeh - alto & tenor saxophone Amir ElSaffar - trumpet Vijay Iyer - piano Ken Filiano - bass Royal Hartigan - drums Guest: Danongan Kalanduyan Kulin - Tang Faraz Minooei - Santur Tim Volpicella - Guitar
Tracks 1. Weft Facets: Facet Thirteen 2. Weft Facets: Facet Fourteen 3. Weft Facets: Facet Fifteen 4. Weft Facets: Interlude I 5. Weft Facets: Facet Sixteen 6. Weft Facets: Facet Seventeen 7. Weft Facets: Facet Eighteen 8. Weft Facets: Interlude II 9. Weft Facets: Facet Nineteen 10. Weft Facets: Facet Twenty 11. Weft Facets: Facet Twenty-One 12. Weft Facets: Facet Twenty-Two 13. Weft Facets: Interlude III 14. Weft Facets: Facet Twenty-Three 15. Weft Facets: Facet Twenty-Four 16. Weft Facets: Interlude IV 17. Weft Facets: Facet Twenty-Five/Reprise 18. Wolf & Warp: Wolf One 19. Wolf & Warp: Wolf Two (Piano Solo) 20. Wolf & Warp: Wolf Two (Ensemble) 21. Wolf & Warp: Wolf Two (Bass Solo) 22. Wolf & Warp: Wolf Three (Ensemble) 23. Wolf & Warp: Wolf Three (Drum Solo) 24. Wolf & Warp: Wolf Four 25. Wolf & Warp: Wolf Five, Pt. 1 26. Wolf & Warp: Wolf Five, Pt. 2 27. Wolf & Warp: Wolf Six 28. Wolf & Warp: Wolf Seven
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