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George Russell Sextet & Septet - The Complete 1960-1962 Decca & Riverside Album Collection (2014)

Исполнитель: George Russell Sextet & Septet
Название альбома: The Complete 1960-1962
Decca & Riverside Album Collection (4CD)
Год выпуска: 2014
Формат файлов: MP3@320K/s
Размер архива: 749,3 MB
Скачать с: turbobit/gigapeta/rapidgator/katfile

This 4-CD set contains all the Decca & Riverside albums recorded by the George Russell Sextet & Septet between 1960 and 1962 plus two live recordings: a 1960 concert at Music Inn, and a 1964 performance at the Newport Jazz Festival. The various groups here featured the following musicians: Don Ellis, Al Kiger Dave Baker, Dave Young, Eric Dolphy, Chuck Israels, John Pierce, Paul Plummer, Garnett Brown, Steve Swallow, Joe Hunt, Pete La Roca, Thad Jones, Brian Trentham, John Gilmore, Albert Heath and Sheila Jordan. Already recognized as one of the most gifted and innovative jazz composers, in 1960 George Russell added a new string to his bow, as pianist and leader of a remarkably individual series of sextets which narrowed the gap between free-blowing jazz and written chamber jazz. All were cooperative ventures whose success was due as much to his ability to attract and stimulate men sympathetic to his musical goals and to draw the utmost from them as to his gifts as composer and arranger. A pianist whose chord voicings still sound strikingly fresh, he had a way of accenting that, like Thelonious MonkThis 4-CD set contains all the Decca & Riverside albums recorded by the George Russell Sextet & Septet between 1960 and 1962 plus two live recordings: a 1960 concert at Music Inn, and a 1964 performance at the Newport Jazz Festival. The various groups here featured the following musicians: Don Ellis, Al Kiger Dave Baker, Dave Young, Eric Dolphy, Chuck Israels, John Pierce, Paul Plummer, Garnett Brown, Steve Swallow, Joe Hunt, Pete La Roca, Thad Jones, Brian Trentham, John Gilmore, Albert Heath and Sheila Jordan. Already recognized as one of the most gifted and innovative jazz composers, in 1960 George Russell added a new string to his bow, as pianist and leader of a remarkably individual series of sextets which narrowed the gap between free-blowing jazz and written chamber jazz. All were cooperative ventures whose success was due as much to his ability to attract and stimulate men sympathetic to his musical goals and to draw the utmost from them as to his gifts as composer and arranger. A pianist whose chord voicings still sound strikingly fresh, he had a way of accenting that, like Thelonious Monk s, was totally unpredictable. His original sextet had a hard-swinging rhythm section and three potent hornmen: fierce-toned trumpeter Al Kiger, gruff trombonist Dave Baker, and the intense tenor of Dave Young. In 1961 avant-gardist Don Ellis replaced Kiger, and although Eric Dolphy was the most flamboyant soloist in this set, others like trombonist Garnett Brown and saxophonists John Pierce (alto) and Paul Plummer (tenor), showed great promise. Apart from some jazz standards, most pieces here are Russell originals, although Baker, Kiger and pianists Carla Bley and David Lahm, applying concepts acquired while they were studying under Russell at the Lenox Jazz School, also wrote for the group, which was filled with the most impressive and interesting fresh young talent around.s, was totally unpredictable. His original sextet had a hard-swinging rhythm section and three potent hornmen: fierce-toned trumpeter Al Kiger, gruff trombonist Dave Baker, and the intense tenor of Dave Young. In 1961 avant-gardist Don Ellis replaced Kiger, and although Eric Dolphy was the most flamboyant soloist in this set, others like trombonist Garnett Brown and saxophonists John Pierce (alto) and Paul Plummer (tenor), showed great promise. Apart from some jazz standards, most pieces here are Russell originals, although Baker, Kiger and pianists Carla Bley and David Lahm, applying concepts acquired while they were studying under Russell at the Lenox Jazz School, also wrote for the group, which was filled with the most impressive and interes

Disc 1 (01:18:36)

1. Sippin' at Bells (07:16)
2. 121 Bank Street (05:55)
3. Swingdom Come (07:26)
4. Dance Class (06:15)
5. Moments Notice (08:02)
6. Beast Blues (08:53)
7. Stratusphunk (06:07)
8. New Donna (08:23)
9. Bent Eagle (06:13)
10. Lambskins (07:11)
11. Things New (06:55)

Disc 2 (01:19:02)

1. Kentucky Oysters (08:22)
2. Theme (03:08)
3. Rhymes (04:24)
4. Lunacy (07:13)
5. War Gewessen (06:18)
6. Sandu (10:59)
7. Tune Up (08:04)
8. Nardis (04:39)
9. Lydiot (08:06)
10. Thoughts (05:33)
11. Round Midnight (06:33)
12. Kiger's Tune (05:43)

Disc 3 (01:18:53)

1. Ezz-Thetic (08:56)
2. Honesty (08:59)
3. Pan-Daddy (04:58)
4. The Stratus Seekers (06:53)
5. Kiger's Tune (Alt) (05:48)
6. Blues in Orbit (07:24)
7. A Lonely Place (07:20)
8. Stereophrenic (05:14)
9. The Outer View (10:05)
10. Zig-Zag (04:02)
11. D.C. Divertimento (09:14)

Disc 4 (01:19:47)

1. Au Privave (06:21)
2. You Are My Sunshine (11:50)
3. Introduction by George Russell (01:32)
4. Things New (Alt) (08:00)
5. Dance Class (Alt) (03:33)
6. Potting Shed (04:28)
7. Stratusphunk (Alt) (06:34)
8. Introduction (00:25)
9. The Outer View (Alt) (09:01)
10. Stratusphunk (Alt II) (07:06)
11. Volupté (12:03)
12. You Are My Sunshine (Alt) (08:54)

CD 1 - #1-6, from the album At the Five Spot (Decca DL 79220). Recorded in New York City, September 20, 1960
CD 1 - #7-11 & CD 2 #1 from the album Stratusphunk (Riverside RS 9341). Recorded at Plaza Sound Studios, New York City, October 18, 1960.
CD 2 - #2-7, from the album In K.C. (Decca DL 74183). Recorded in New York City, February 23, 1961. Recorded at Plaza Sound Studios, New York City, May 8, 1961
CD 2 - #8-11, and CD 3 tracks #1 & 2 from Ezz-thetics (Riverside RS 9375). CD 2 - #12 not on the original Riverside RS 9375 LP configuration. Recorded at Plaza Sound Studios, New York City, May 8, 1961.
CD 3 - #3-8, from the album The Stratus Seekers (Riverside RS 9412). Recorded at Plaza Sound Studios, New York City, January 31, 1962.
CD 3 - #9-11 & CD-4 tracks #1 & 2, from The Outer View (Riverside RS 9440). Recorded at Plaza Sound Studios, New York City, August 27, 1962.
CD 4 - #3-12, from private recordings. Tracks 4-3 to 4-7: Live at Music Barn at the Music Inn in Lenox, Massachusetts, September 1, 1960. Tracks 4-7 to 4-12: Live at Newport Jazz Festival, Newport, Rhode Island, July 3, 1964.

Alto Saxophone – Eric Dolphy (tracks: 2-9, 2-11, 2-12, 3-1, 3-2), John Pierce (tracks: 3-3 to 3-8)
Bass – Chuck Israels (tracks: 1-1 to 1-11, 2-1 to 2-7, 4-3 to 4-7), Steve Swallow (tracks: 2-8 to 2-12, 3-1 to 3-8, 4-8 to 4-12)
Bass Clarinet – Eric Dolphy (tracks: 2-8, 2-10)
Compilation Producer – Jordi Pujol
Cornet – Thad Jones (tracks: 4-8 tp 4-2)
Drums – Albert Heath (tracks: 4-8 tp 4-2), Joe Hunt (tracks: 1-1 to 1-11, 2-1 to 2-12, 3-1 to 3-8, 4-3 to 4-7)
Piano – David Lahm (tracks: 4-6), George Russell
Tenor Saxophone – David Young (tracks: 1-1 to 1-11, 2-1 to 2-7, 4-3 to 4-7), John Gilmore (tracks: 4-8 tp 4-2), Paul Plummer (tracks: 3-3 to 3-11, 4-1, 4-2)
Trombone – Brian Trentham (tracks: 4-8 tp 4-2), David Baker (tracks: 1-1 to 1-11, 2-1 to 2-12, 3-1 to 3-8, 4-3 to 4-7), Garnett Brown (tracks: 3-9 to 3-11, 4-1, 4-2)
Trumpet – Al Kiger (tracks: 1-1 to 1-11, 2-1, 4-3 to 4-7), Don Ellis (tracks: 2-2 to 2-12, 3-1 to 3-11, 4-1, 4.2)
Vocals – Sheila Jordan (tracks: 4-12)

Fresh Sound Records [FSR-CD 848]

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19 января 2022, 007

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