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Errol Parker Tentet - Remembering Billy Strayhorn (1994)




Исполнитель: Errol Parker
Название альбома: Remembering Billy Strayhorn
Год выпуска: 1994, Sahara Records
Формат файлов: Mp3, 320
Размер архива: 153 Mb
Скачать с: rusfolder

Errol Parker (né Raphaël Schecroun; 30 October 1925-2 July 1998) was a French-Algerian-Jewish jazz pianist who played with Django Reinhardt, James Moody, Don Byas and Kenny Clarke, among others.

Born in Oran, French Algeria, Raphaël Schecroun (his working name derives from two of his jazz heroes, Errol Garner and Charlie Parker), he moved to Paris at the age of 18.

In 1964, Parker wrote the song "Lorre", which became a hit in France, and opened his own jazz club "Le Ladybird" on Rue de la Huchette.

Following a serious car accident that impaired his playing, Parker emigrated to New York, where also his daughter was to begin university in February 1968.[4]

In America he started a second career as a record producer, but unable to find a suitable drummer he started to perform as a jazz drummer (which was not affected by his shoulder injury). He died of liver cancer in New York City, aged 72.[2] His daughter was Elodie Lauten (1950-2014), a pianist and composer.

Released on the Sahara label shortly after it was recorded in September 1994, Remembering Billy Strayhorn appears to have been one of the last albums completed by pianist, percussionist, and bandleader Errol Parker, who was born Raphael Schecroun in Algeria in 1926 and became permanently involved with jazz in Paris during the late 1940s. Parker, who appears to have renamed himself after Erroll Garner and Charlie Parker, began making a most unusual kind of music in the late '70s and ground out more than ten albums over a 15-year period, usually with a pack of improvisers tough and resilient enough to negotiate polytonal, polyrhythmic music of often bracing intensity. Parker's ultimate configuration was the Tentet, which in 1994 was composed of five saxophonists, two trumpeters, a trombonist, electric bass, and electric guitar, usually bolstered by the leader's preferred combination of overdubbed piano and drums. Oddly enough, the only ballad on Remembering Billy Strayhorn is Vernon Duke's "Autumn in New York," which could have been a less misleading title for the album, because with the exception of Thelonious Monk's "Straight, No Chaser" these are all Errol Parker originals, done up with the sort of joyous ferocity that characterized much of the man's musical output. What makes this particular album so gloriously unconventional is the fact that the album title and cover art convey the impression that it's going to be yet another lovingly presented tribute stocked with delicately balanced interpretations of love songs and lush ruminations by Billy Strayhorn. One gets the distinct impression that Parker was honoring a more underappreciated aspect of Strayhorn's musical mind. The best example by far would be "Tonk" as recorded on January 10, 1946 by Ellington and Strayhorn in a piano duet which sounds like the work of Lennie Tristano. Another example of the Strayhorn Errol Parker might have had in mind was the composer of "Circle of Fourths," which was given a very Errol Parker-like treatment by the Vienna Art Orchestra in 2000 on their robustly creative album Duke Ellington's Sound of Love.
arwulf arwulf, AMG

1. Rehearsal
2. Cancellation
3. Graffiti
4. Autumn in New York
5. Reggae
6. Magic Carpet
7. 24 Bars
8. Straight, No Chaser

Recorded 9/7 & 24/94

kenny Sheffield (1st tpt, soloist on 1, 2, 4, 6. 8)
Michael Thomas (2nd tpt, soloist on 3, 7)
Doug Harris (ss)
David Lee Jones (as)
Bill Saxton (ts)
Tyrone Jefferson (tb)
Patience Higgins (bs 1, 2, 4)
Jimmy Cozier (bs 3, 5, 6, 7, 8)
Cary De Nigris (el g)
Reggie Washington (el b)
Errol Parker (dms)

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