Исполнитель: Charlie HadenНазвание альбома: The Montreal Tapes Год выпуска: 1989 Формат файлов: Mp3 320kbps cbr Размер архива: Total: 475Mb rar Скачать с: Ifolder В 1989 году на Международном фестивале «Джаз-де-де Монреаль» была организована серия из восьми концертов в честь басиста Чарли Хейденена. Были записаны сессии: 30 June with Joe Henderson and Al Foster 01 July with Geri Allen and Paul Motian 02 July with Don Cherry and Ed Blackwell 03 July with Gonzalo Rubalcaba and Paul Motian 05 July with Pat Metheney and Jack Dejohnette 06 July with Egberto Gismonti 07 July with Paul Bley & Paul Motian 08 July with Liberation Music Orchestra (Tom Harrell, Stanton Davis, Ken McIntyre, Ernie Watts, Joe Lovano, Ray Anderson, Sharon Freeman, JoeDaley, Mick Goodrick, Geri Allen, Paul Motian) Из них четыре на сайте представлены. Даю недостающие.
Charlie Haden com Joe Henderson e Al Foster
"Recorded on the opening night of the Festival International de Jazz de Montreal as part of an eight-concert series paying tribute to Charlie Haden. While the other evenings all featured stellar musicians and wonderful collaborations, this one is special because it features Haden in a trio of players not usually associated with him: drummer Al Foster -- fresh from Miles Davis' band, and the late tenor giant Joe Henderson. In fact, Haden has subtitled the set, "Tribute to Joe Henderson." There are four extended tunes on the set, the shortest of which is the opener, a gorgeous, wide open rendering of Thelonious Monk's "'Round Midnight," on which Henderson begins to display some of the same modal soloing traits he employed on his Blue Note recordings Mode for Joe, and Inner Urge. As if this weren't enough, the trio ranges from the lyrically and harmonically sublime reinvention of Jerome Kern's "All the Things You Are," to a wildly adventurous free jazz ride on Haden's "In the Moment" -- which begins like a classic bop tune and then forgoes all changes and time signatures in favor of pure improvisation -- to a 20-minute blastoff take on Charlie Parker's "Passport" to close the set. There is no lack of intensity or concentration, no mere going-through-the-motions here. This set is a powerful testament to the inherent musical communication of swing between three fine principals, and one of the best live trio dates issued in years." ~ Thom Jurek, AMG
Recorded live on June 30, 1989 at the Festival International de Jazz de Montréal (salle Marie-Gérin-Lajoie de l'UQAM), Québec, Canada Release Date - February 24, 2004 (Verve B0001979-02)
Personnel Charlie Haden - Double Bass Joe Henderson - Saxophone Al Foster - Drums
Tracks 1. 'Round Midnight (Williams, Monk, Hanighen) (12:00) 2. All the Things You Are (Kern, Hammerstein II) (19:19) 3. In the Moment (Haden) (14:41) 4. Passport (Parker) (20:56)
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Charlie Haden com Don Cherry e Ed Blackwell
"This has to be one of my favorite performances from one of the tightest ensembles ever to play in this idiom. Although it is Haden's album, this is really a group effort. Each individual shines in their respective role. I am constantly amazed by the subtlety and melodic quality of Ed Blackwell's drumming. As a music professor, specifically a jazz instructor, I have made all of my drum students study this album. Nor can enough be said about Haden's playing at this concert. He builds his lines with an authority that is assured and vibrant. The musical logic in his ideas are breathtaking. You can hear where he is taking his line and when he gets there, it's nirvana. One highlight of this album is Don Cherry's Art Deco, there's a certain wistfulness in the playing that compelled me to keep turning to this performance over and over again after I learned of his passing. Okay, so I like this recording. I strongly recommend it." ~ amazon.com
Recorded live on July 2, 1989 at the Festival International de Jazz de Montréal, Canada Released 1994
Personnel Charlie Haden - bass Don Cherry - pocket trumpet Ed Blackwell - drums
Tracks 1. The Sphinx (Coleman) (09:31) 2. Art Deco (Cherry) (06:24) 3. Happy House (Coleman) (08:24) 4. Lonely Woman (Coleman) (11:41) 5. Mopti (Cherry) (05:29) 6. The Blessing (Coleman) (06:01) 7. When Will the Blues Leave? (Coleman) (04:04) 8. Law Years (Coleman) (06:46)
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Charlie Haden with Pat Metheny & Jack DeJohnette
Label - Bootleg Recorded – July, 05 1989
Personnel Bass – Charlie Haden Drums – Jack DeJohnette Guitar – Pat Metheny
Tracks 1. Blues For Pat (Charlie Haden) (14:08) 2. Radio Dialog (2:01) 3. The Bat (Pat Metheny) (8:31) 4. Radio Dialog (1:00) 5. The Calling Part 1 (Pat Metheny) (19:41) 6. The Calling Part 2 (Pat Metheny) (4:50) 7. Radio Dialog (1:03) 8. Segment (Charlie Parker) (4:15) Playtime: 55:22
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Charlie Haden with Paul Bley and Paul Motian
"Performed as one of eight concerts at the 1989 Montreal Jazz Festival that featured bassist Charlie Haden, this trio set teams Haden with pianist Paul Bley and drummer Paul Motian. Playing adventurous but unclassifiable music that falls between bop and the avant-garde, the trio contributes one original apiece and also interprets four Ornette Coleman tunes and Carla Bley's classic "Ida Lupino." The musical communication between the three masterful players is impressive on this generally introspective set." ~ Scott Yanow, AMG
Recorded live on July 7, 1989 at the Festival International de Jazz de Montréal, Canada Released 1994
Personnel Charlie Haden - bass Paul Bley - piano Paul Motian - drums
Tracks 1. Turnaround/When Will the Blues Leave? (Ornette Coleman) (13:17) 2. New Beginning (Charlie Haden) (08:47) 3. Cross Road (Ornette Coleman) (06:40) 4. So Far, So Good (Paul Bley) (07:27) 5. Ida Lupino (Carla Bley) (11:19) 6. Latin Genetics (Ornette Coleman) (04:35) 7. Body Beautiful (Paul Motian) (08:03) 8. Turnaround (Ornette Coleman) (07:51)
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